tag:blogger.com,1999:blog-5808834546370561172024-03-14T07:15:41.290+09:00TOSHIYA TSUNODAtsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.comBlogger25125tag:blogger.com,1999:blog-580883454637056117.post-72266009572439207442019-05-14T21:58:00.000+09:002019-05-16T20:38:32.458+09:00フィールド・レコーディングとは何か? 2019.7.14(Sun)<div class="separator" style="clear: both; text-align: center;">
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<br />tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-28570044994227512292017-09-15T22:52:00.000+09:002017-09-15T22:52:38.461+09:00<div class="separator" style="clear: both; text-align: center;">
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<br />tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-19286639905993175042015-01-10T11:01:00.004+09:002017-01-20T20:11:57.652+09:00short bio<div class="p0" style="margin-bottom: 0pt; margin-top: 0pt;">
<span style="color: #333333; font-family: "verdana"; font-size: 10.5pt; font-weight: bold;">Toshiya Tsunoda </span><span style="color: #333333; font-family: "verdana"; font-size: 9pt;">(Kanagawa, 1964) is a sound creator known for works of field recording and collage. He studied oil painting at Tokyo National University of Fine Arts and Music, where he received his MFA. Aside from his work as a sound creator, he is also known for his wide-ranging activities as an installation artist and performer. By using small or contact microphones to produce his field recordings, Tsunoda<span style="font-family: "simsun";">’</span><span style="font-family: "verdana";">s sound works capture the acoustic characteristics of spaces with dazzling clarity. These works show the ways in which particular vibrational phenomena shape the subjective experience of time and space. His exhibitions include </span><span style="font-family: "simsun";">“</span><span style="font-family: "verdana";">Soundings: A Contemporary Score</span><span style="font-family: "simsun";">” </span><span style="font-family: "verdana";">with Luke Fowler, MoMA, New York (2013), </span><span style="font-family: "simsun";">“</span><span style="font-family: "verdana";">Simple Interactions Sound Art from Japan,</span><span style="font-family: "simsun";">” </span><span style="font-family: "verdana";">Museet For Samtids Kunst, Denmark (2011), Yokohama Triennale with Luke Fowler, Yokohama (2008) and </span><span style="font-family: "simsun";">“</span><span style="font-family: "verdana";">Half Life,</span><span style="font-family: "simsun";">” </span><span style="font-family: "verdana";">Kilmartin Glen, Argyll, Scotland (2007). Tsunoda has also performed at Inverleith House, Edinburgh (2012) and Stuk Arts Centre, Leuven, Belgium (2010).</span></span><span style="color: #333333; font-family: "ms 明朝"; font-size: 9pt;"> </span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Activity(selected)</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Installation </span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span><br />
<span style="color: #333333; font-family: Verdana, sans-serif; font-size: 9pt;">2016</span><br />
<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Tsunoda Toshiya Ito Atsuhiro - Trans/Real (curated by Gen Umezu) <i><b>Gallery</b></i></span><i><b><span style="color: #333333; font-size: 12px;"> </span><span style="color: #333333; font-size: 12px;">αM, </span><span style="color: #333333; font-size: 9pt;">Tokyo</span></b></i></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">2013</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Leader As Gutter </span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9pt;">Luke Fowler & Toshiya Tsunoda</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Taka Ishii Gallry, Tokyo</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Soundings-A Contemporary Score</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">MoMA, NY</span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">2012</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">KIKOENAIOTO</span><span style="color: #333333; font-size: 9pt;">, </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Talion Gallery</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">,</span><i><b><span style="color: #333333; font-size: 9pt;">Tokyo</span></b></i><span style="color: #333333; font-size: 9pt; font-style: italic; font-weight: bold;"> </span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">2011</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Imprint/Field/ Surface</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9pt;">Luke Fowler & Toshiya Tsunoda</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Bielefelder2016 Kunstverein,Germany</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">SIMPLE INTERACTIONS.SOUND ART FROM JAPAN</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Museet For Samtids Kunst,Denmark</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Luke Fowler & Toshiya Tsunoda</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Galerie Gisela Capitain Cologne, Germany</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">2010</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Geometric From Seen Recent Sound</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9pt;">with Michael Graeve</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">GKG Bonn, Germany</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">2009</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Luke Fowler(Composition for Flutter Screen#2) </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Serpentine gallery</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">2008</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">21:100:100 One Hundred Sound Works by 100 Artists from 21st Centry</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Gertrude Contemporary Art Space, Australia</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Yokohama Triennale 2008</span><span style="color: #333333; font-size: 9pt;"> (Composition for Flutter Screen with Luke Fowler)</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">2007</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Half Life</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Kilmartin Glen, Argyll, Scotland</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Gray Water ( with Lawrence English) </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Institute of Modern Art, Brisbane</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">2005</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">In Resonance </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Bumbershoot Arts Festival, Seattle</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Performance/Live Installation</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="color: #333333; font-family: Verdana, sans-serif; font-size: 9pt;">2016 </span><br />
<b style="color: #333333; font-size: 12px;"><i><span style="font-family: Verdana, sans-serif;">Gallery αM</span></i></b></div>
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<span style="color: #333333; font-family: verdana;"><span style="font-family: Verdana, sans-serif; font-size: 12px;"><b><i>SuperDeluxe with Jarod Fowler</i></b></span></span><br />
<span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><span style="font-family: Verdana, sans-serif; font-style: normal; font-weight: normal;">2013</span></span><br />
<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Rockbund Art Museum Shanghai China </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Sealink Gallery Hangzhou China</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Ftarri </span><span style="color: #333333; font-size: 9pt;">with Luke Fowler </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Tokyo </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Liquid Architecture Melbourne </span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Issue Project Room Brooklyn </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">2010</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Stuk Arts Centre Leuven, Belgium </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">SMART Project Space Amsterdam</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Lecture/Workshop</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Sealink Gallery Hangzhou</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">l-e , Osaki,Tokyo</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">CCA Kikakyusyu, Fukuoka</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">RMIT university, Melbourne</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Kawasaki City Museum</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">, Japan</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">CCAC Institute, San Francisco</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Tama Art University, Tokyo</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Recording Work</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">CD</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span><br />
<span style="color: #333333; font-family: Verdana, sans-serif; font-size: 9pt;">Somashikiba <i><b>edition.t </b></i></span><br />
<span style="color: #333333; font-family: Verdana, sans-serif; font-size: 9pt;">Detour with Manfred Werder<i><b> Erstwhile Records, NY</b></i></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">TramVibration with haco </span><span style="color: #333333; font-size: 9pt; font-style: italic; font-weight: bold;"> </span><span style="color: #333333; font-size: 9pt; font-style: italic; font-weight: bold;">Skit</span><span style="color: #333333; font-size: 9pt; font-style: italic; font-weight: bold;">i,Japan</span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">O Kokos Tis Anixis</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">edtion</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">.</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">t</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"> </span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">The Temple Recording</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">edition.t, </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span><span style="color: #333333; font-size: 12px; font-style: italic; font-weight: bold;">Japan</span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Crosshatches with Michael Pisaro</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Erstwhile Records</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Low Frequency observed at Maguchi Bay</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"> hibari music,</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"> Japan</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Scenery of Dacalcomania </span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Naturestrip</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">, Melbourne</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Ridge of Undulation </span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Hapna</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">, Stockholm</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Extract from Field Recirding Archive#1 </span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">Wrk</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;">,Japan</span><span style="color: #333333; font-size: 9.0000pt; font-style: italic; font-weight: bold;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Article/Essay/Publication</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">8 Metaphors LUX (ISBN 978-0-9567041-3-0)</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">SUBSTANTIALS#4 CCA Kitakyusyu</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9pt;">(ISBN978-4-901387-73-6) </span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;"><span style="font-family: verdana;">Erstwords</span>;</span><span style="color: #333333; font-size: 9pt;">http://erstwords.blogspot.com/2009/07/field-recording-and-experimental-music.html</span><span style="color: #333333; font-size: 9pt;">></span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">UOVO N.14/2</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9pt;">007</span><span style="color: #333333; font-size: 9pt;"> </span><span style="color: #333333; font-size: 9pt;">(ISSN1876-0551)</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Extract:Portarit of Sound artists, Nonviualobjects</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Free Paper Santa vol.1-10</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #333333; font-size: 9pt;">Improvised Music from Japan 2005 issue</span><span style="color: #333333; font-size: 9pt;"><o:p></o:p></span></span></div>
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<span style="color: #333333; font-family: Verdana, sans-serif; font-size: 9pt;">Site of Sound:of Architecuture & The Ear, Errant Bodies Press</span><span style="color: #333333; font-family: "verdana"; font-size: 9pt;"><o:p></o:p></span></div>
tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com1tag:blogger.com,1999:blog-580883454637056117.post-81443576314469961692013-11-21T20:58:00.000+09:002013-11-21T23:33:34.692+09:00New Skiti CD realease TramVibration Haco and Toshiya Tsunoda<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-ZXzt7bU1_X4/Uo3zmUGa32I/AAAAAAAAAHY/1soQAyoZZTQ/s1600/img001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="226" src="http://2.bp.blogspot.com/-ZXzt7bU1_X4/Uo3zmUGa32I/AAAAAAAAAHY/1soQAyoZZTQ/s320/img001.jpg" width="320" /></a></div>
Haco and Toshiya Tsunoda<br />
Skiti (sk07) November 2013<br />
Duration 34:36<br />
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Date: December 28, 2006<br />
Place: Inside a tram on a round trip from Ebisu-cho to Hamadera Ekimae on the Hankai Line (12:03 - 13:46) in Osaka, Japan<br />
Tsunoda captured solid vibrations using a piezo-ceramic sensor and a stethoscope, and Haco used her "stereo bugscope" (two inductive microphones) system to catch electromagnetic sounds.<br />
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<span style="color: #741b47;">see video documentation</span><br />
<a href="http://vimeo.com/70418685">http://vimeo.com/70418685</a><br />
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<span style="font-size: x-small;">The first edition of work was used for the View Masters Osaka-Melbourne Remix Exhibition in Osaka in February 2007.</span><br />
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tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-65120920277691549632013-09-23T02:07:00.003+09:002013-09-23T02:21:06.272+09:00<div style="line-height: 24px; margin-bottom: 0.6em; margin-top: 0.6em;">
<b><span style="color: #3d85c6;"><span style="font-size: large;">Leader As Gutter</span><span style="font-size: x-large;"> </span></span></b><br />
<b><span style="color: #3d85c6;">Luke Fowler and Toshiya Tsunoda</span></b></div>
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<a href="http://www.takaishiigallery.com/en/archives/11071/" target="_blank"><span style="color: #3d85c6;">http://www.takaishiigallery.com/en/archives/11071/</span></a></div>
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<a href="http://www.takaishiigallery.com/jp/archives/8877/" target="_blank"><span style="color: #3d85c6;">http://www.takaishiigallery.com/jp/archives/8877/</span></a></div>
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<a href="http://2.bp.blogspot.com/-gX9-mr6Yu2A/Uj8mPx_6Z_I/AAAAAAAAAG8/_owbfEUnCSg/s1600/RIMG0121.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="http://2.bp.blogspot.com/-gX9-mr6Yu2A/Uj8mPx_6Z_I/AAAAAAAAAG8/_owbfEUnCSg/s640/RIMG0121.JPG" width="640" /></a></div>
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tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-31212492261518473482013-08-25T18:59:00.002+09:002015-10-12T01:17:01.708+09:00in Melbourne<div style="background-color: white; color: #333333; line-height: 24px; margin-bottom: 0.6em; margin-top: 0.6em;">
31st Aug<br />
<a href="http://www.liquidarchitecture.org.au/tram-vibrations-live-in-combino/" style="color: #7ccac0;" target="_blank">http://www.liquidarchitecture.org.au/tram-vibrations-live-in-combino/</a><br />
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<a href="http://www.liquidarchitecture.org.au/more-talk-less-action-a-series-of-discussions-on-sound-art-experimental-music/" style="color: #7ccac0;" target="_blank">http://www.liquidarchitecture.org.au/more-talk-less-action-a-series-of-discussions-on-sound-art-experimental-music/</a></div>
tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-64492374979645509032013-06-30T00:46:00.002+09:002013-06-30T00:48:08.459+09:00Issue Project Room<br />
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<span class="date-display-single" content="2013-08-09T20:00:00-04:00" datatype="xsd:dateTime" property="dc:date">Fri, August 9, 2013 - 8:00pm</span></div>
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ISSUE Project Room, 22 Boerum Place, Brooklyn</div>
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<a href="http://2.bp.blogspot.com/-tCtdBCdjCgo/UC8k_Lmgi_I/AAAAAAAAAF4/xyTx5WcDWeE/s1600/001kikoenaioto+-+%25E3%2582%25B3%25E3%2583%2594%25E3%2583%25BC.tif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="160" src="http://2.bp.blogspot.com/-tCtdBCdjCgo/UC8k_Lmgi_I/AAAAAAAAAF4/xyTx5WcDWeE/s320/001kikoenaioto+-+%25E3%2582%25B3%25E3%2583%2594%25E3%2583%25BC.tif" width="320" /></a>Yokohama based artist and composer <strong>Toshiya Tsunoda</strong> has produced innovative works of field recording and collage for 15 years, carefully concentrating the lyrical power of the world we inhabit. Tonight he presents two live sets with laptop, vibration-plates, and sine waves, as well as premiering a series of new short videos.</div>
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<strong>Toshiya Tsunoda</strong> has been prolific in the experimental arts community for over two decades. Born in 1964 in Kanagawa, Japan, he studied oil painting at the Tokyo National University of Fine Arts and Music, where he received an MFA. In 1994, he co-founded and ran label WrK alongside m/s, releasing sound art pieces from various young Japanese sound artists, including his own. He currently runs labels Skiti and edition.t. Tsunoda's recorded works often take the form of untainted field recordings - his Extract from Field Recording Archive series documents vibrations through solid objects and air, and his CD Ridge of Undulation features minimally processed recorded landscapes and vibrations, with sparse sine waves. Tsunoda has released collaborations with Seijiro Murayama, Taku Sugimoto, Mitsuhiro Yoshimaru, and (most recently) Michael Pisaro, among many others. Tsunoda is included in "Soundings" MoMA's first major exhibition of sound art, on view August through November 2013.</div>
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<a href="http://issueprojectroom.org/drupal/event/toshiya-tsunoda">http://issueprojectroom.org/drupal/event/toshiya-tsunoda</a>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-41932974566071295762013-06-10T23:29:00.000+09:002013-06-10T23:34:19.076+09:00Soundings; A Contemporary Score Exhibition at MoMA<br />
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Soundings: A Contemporary Score</h2>
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<strong style="border: 0px; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">August 10–November 3, 2013</strong></div>
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Special Exhibitions Gallery, third floor</div>
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<span style="font-family: inherit; font-style: inherit;">MoMA's first major exhibition of sound art presents work by 16 of the most innovative contemporary artists working with sound. While these artists approach sound from a variety of disciplinary angles—the visual arts, architecture, performance, computer programming, and music—they share an interest in working with, rather than against or independent of, material realities and environments. These artistic responses range from architectural interventions, to visualizations of otherwise inaudible sound, to an exploration of how sound ricochets within a gallery, to a range of field recordings—including echolocating bats, abandoned buildings in Chernobyl, 59 bells in New York City, and a sugar factory in Taiwan.</span></div>
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The diversity of these works reflects a complex and nuanced field. Yet the exhibition posits something specific: that how we listen determines what we hear. Indeed, the works provoke and evoke—both in the maker and the museumgoer—modes of active listening, and a heightened relationship between interior and exterior space. At a time when personal listening devices and tailored playlists have become ubiquitous, shared aural spaces are increasingly rare. Many of the artists in the exhibition aim for such realities, and the sound they create is decidedly social, immersing visitors and connecting them in space. In many of the works, links are drawn between disparate topographies and subjects, giving rise to new understanding and experiences.</div>
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<span style="color: #333333;">The artists in the exhibition are </span><span style="color: red;">Luke Fowler</span><span style="color: #333333;"> (Scottish, b. 1978), </span><span style="color: red;">Toshiya Tsunoda </span><span style="color: #333333;">(Japanese, b. 1964), Marco Fusinato (Australian, b. 1964), Richard Garet (Uruguayan, b. 1972), Florian Hecker (German, b. 1975), Christine Sun Kim (American, b. 1980), Jacob Kirkegaard (Danish, b. 1975), Haroon Mirza (British, b. 1977), Carsten Nicolai (German, b. 1965), Camille Norment (American, b. 1970), Tristan Perich (American, b. 1982), Susan Philipsz (Scottish, b. 1965), Sergei Tcherepnin (American, b. 1981), Hong-Kai Wang (Taiwanese, b. 1971), Jana Winderen (Norwegian, b. 1965), and Stephen Vitiello (American, b. 1964).</span></div>
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Organized by Barbara London, Associate Curator, with Leora Morinis, Curatorial Assistant, Department of Media and Performance Art.</div>
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The exhibition is made possible by MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation.</div>
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Major support is provided by The International Council of The Museum of Modern Art, The Junior Associates of The Museum of Modern Art, Office for Contemporary Art Norway (OCA), Richard J. Massey Foundation for Arts and Sciences, and the Danish Arts Council Committee for International Visual Arts.</div>
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Additional funding is provided by the MoMA Annual Exhibition Fund.</div>
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<a href="http://www.moma.org/visit/calendar/exhibitions/1379">http://www.moma.org/visit/calendar/exhibitions/1379</a>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-45425648388417821362013-03-03T18:28:00.000+09:002013-03-03T18:31:13.527+09:00O KOKOS TIS ANIXIS (2CD)<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-vZTOxmktZbU/UTMW1xim7aI/AAAAAAAAAGk/KJo4nUl6jPM/s1600/kokos_cover011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="430" src="http://4.bp.blogspot.com/-vZTOxmktZbU/UTMW1xim7aI/AAAAAAAAAGk/KJo4nUl6jPM/s640/kokos_cover011.jpg" width="640" /></a></div>
<span lang="EN-US" style="font-size: 10.5pt;"><span style="font-family: inherit;">"This is one of my trials to present a 'subject' as
a piece of work - which can be called field recordings - that contains the
accidentalness. We cannot manipulate the accidentalness. The only way for us to
relate to the events is to closely observe what is happening there. "</span></span><br />
<span style="font-family: inherit;"><span lang="EN-US" style="font-size: 10.5pt;"> </span>disc 1:</span><br />
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<span lang="EN-US"><span style="font-family: inherit;">1. the sounds of small fruits falling in
the grass as the wind shook the tree.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: inherit;">2. the sequence of the chirp sounds of a
bush warbler.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: inherit;">3. the various events happening in the
temple precincts in the mountain. <o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: inherit;">4. the echoed sounds in a vacant lot as the
night fell gradually. <o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: inherit;">disc 2:<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: inherit;">1. the sounds of three branches falling
down on a tin roof of a small roadside shrine. <o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: inherit;">2. the high-pitched sounds that occurred
momentarily when the tree branches rustled as the wind shook the tree. <o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: inherit;">3. the sounds happening in a pond and its
surroundings.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="font-family: inherit;">4. the sounds of ashes bursting in the fire
built by fishermen.</span></span></div>
<div class="MsoNormal">
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<span style="font-size: 11.5pt; text-indent: 5.75pt;">Now on sale </span></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;">Erstwhile(USA)</span></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;">http://www.erstwhilerecords.com/distro.html </span></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;">Metamkine(EU)</span></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;">http://www.metamkine.com/</span></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;"> Ftarri(JP)</span></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;">http://www.japanimprov.com/cdshop2/newarrivals.html</span></div>
<div>
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</div>
tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com1tag:blogger.com,1999:blog-580883454637056117.post-34107673938145175452013-03-03T18:13:00.002+09:002013-03-03T18:31:27.247+09:00The Temple Recording (2CD set)<br />
<div class="separator" style="clear: both; text-align: justify;">
<a href="http://2.bp.blogspot.com/-2JL4HUhf1Ac/UTMS-jMjqVI/AAAAAAAAAGY/WrMrKvc4PZk/s1600/01temple_cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="432" src="http://2.bp.blogspot.com/-2JL4HUhf1Ac/UTMS-jMjqVI/AAAAAAAAAGY/WrMrKvc4PZk/s640/01temple_cover.jpg" width="640" /></a></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;">"</span><span lang="EN-US" style="font-size: 11.5pt; text-indent: 5.75pt;">This recording reveals the experiences of the landscape shared by
two different persons. </span><span style="font-size: 11.5pt; text-align: left; text-indent: 5.75pt;">We can consider that the landscape was composed when we
were facing it. This is a record and evidence of our real experiences of the
landscape. Our experiences were realized. </span><span style="font-size: 11.5pt; text-indent: 5.75pt;">In short, we gave a shape to the
landscape with our experiences."</span></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;">Metamkine(EU)</span></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;">http://www.metamkine.com/ </span></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;">Ftarri(JP)</span></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;">http://www.japanimprov.com/cdshop2/newarrivals.html</span></div>
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<span style="font-size: 11.5pt; text-indent: 5.75pt;"> </span></div>
tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-17882020660165379742012-08-18T14:16:00.003+09:002013-03-10T11:42:51.874+09:00One Stereophony By Two Persons<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-tCtdBCdjCgo/UC8k_Lmgi_I/AAAAAAAAAF4/xyTx5WcDWeE/s1600/001kikoenaioto+-+%E3%82%B3%E3%83%94%E3%83%BC.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-tCtdBCdjCgo/UC8k_Lmgi_I/AAAAAAAAAF4/xyTx5WcDWeE/s640/001kikoenaioto+-+%E3%82%B3%E3%83%94%E3%83%BC.tif" width="640" /></a></div>
<br />tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-75440115368776078852012-01-28T09:32:00.008+09:002012-02-23T22:56:34.101+09:00Luke Fowler (with Toshiya Tsunoda and John Haynes)<a href="http://2.bp.blogspot.com/-zcA4g9qdw7I/T0ZFiuyPPVI/AAAAAAAAAFk/6AD3HpKlKRE/s1600/Fowler%2526Tsunoda%2B13.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 267px; height: 400px;" src="http://2.bp.blogspot.com/-zcA4g9qdw7I/T0ZFiuyPPVI/AAAAAAAAAFk/6AD3HpKlKRE/s400/Fowler%2526Tsunoda%2B13.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5712329640342666578" /></a><br /><div style="font-size: 100%; font-weight: normal; line-height: normal; text-align: -webkit-auto; "><span style="color: rgb(66, 66, 66); font-family: Verdana, Tahoma, sans-serif; line-height: 16px; text-align: left; "><b>12 FEB(sun) — 29 APR(sun) 2012</b></span></div><div style="font-size: 100%; font-weight: normal; line-height: normal; text-align: -webkit-auto; "><span><b><span style="color: rgb(66, 66, 66); font-family: Verdana, Tahoma, sans-serif; line-height: 16px; background-color: rgb(255, 255, 255); ">10.00 am — 5.30 pm</span> </b></span></div><div style="font-size: 100%; font-weight: normal; line-height: normal; text-align: -webkit-auto; "><span><b><span style="text-align: left; line-height: 16px; "><span>In</span></span><span style="background-color: rgb(255, 255, 255); color: rgb(66, 66, 66); font-family: Verdana, Tahoma, sans-serif; line-height: 16px; ">verleith House, Edinburgh</span></b></span></div><div style="font-size: 100%; font-weight: normal; line-height: normal; text-align: -webkit-auto; "><span style="line-height: 18px; color: rgb(66, 66, 66); font-family: Verdana, Tahoma, sans-serif; "><b><br /></b></span></div><div style="font-size: 100%; font-weight: normal; line-height: normal; text-align: -webkit-auto; "><span><span style="line-height: 18px; "><b>Luke Fowler & Toshiya Tsunoda</b></span></span></div><div style="font-size: 100%; font-weight: normal; line-height: normal; text-align: -webkit-auto; "><span><span style="line-height: 18px; "><b>Installation "Ridges of Horizontal Plane"(2010-)</b></span></span></div><div style="font-size: 100%; font-weight: normal; line-height: normal; text-align: -webkit-auto; "><span><span style="line-height: 18px; "><b><br /></b></span></span></div><div style="font-size: 100%; font-weight: normal; line-height: normal; text-align: -webkit-auto; "><span><span style="line-height: 18px; "><b>Toshiya Tsunoda</b></span></span></div><div style="font-size: 100%; font-weight: normal; line-height: normal; text-align: -webkit-auto; "><b style="line-height: 18px; font-size: 100%; "> Performance 11th Feb </b></div><div style="text-align: -webkit-auto; "><span lang="EN-US" style="font-family: 'Times New Roman', serif; "><b><span >The Stereophony of the Turtle and the Human</span></b></span></div><div style="font-size: 100%; font-weight: normal; line-height: normal; text-align: -webkit-auto; "><span style="line-height: 18px; color: rgb(66, 66, 66); font-family: Verdana, Tahoma, sans-serif; font-size: 12px; "><br /></span></div><div style="font-size: 100%; font-weight: normal; line-height: normal; text-align: -webkit-auto; "><span style="line-height: 18px; color: rgb(66, 66, 66); font-family: Verdana, Tahoma, sans-serif; font-size: 12px; ">Royal Botanic Garden Edinburgh</span></div><div id="main-content" class="grid_7 suffix_23 omega" style="font-size: 100%; font-weight: normal; line-height: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); display: inline; float: left; width: 540px; min-height: 300px; text-align: -webkit-auto; "><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; "><p style="color: rgb(66, 66, 66); font-family: Verdana, Tahoma, sans-serif; font-size: 12px; margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; "><span style="line-height: 18px; ">20A Inverleith Row</span><br style="line-height: 18px; "><span style="line-height: 18px; ">Edinburgh</span><br style="line-height: 18px; "><span style="line-height: 18px; ">EH3 5LR</span><br style="line-height: 18px; "><span style="line-height: 18px; ">United Kingdom</span></p><p style="color: rgb(66, 66, 66); font-family: Verdana, Tahoma, sans-serif; font-size: 12px; margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; "><a href="http://www.rbge.org.uk/whats-on/event-details/2084" style="background-color: transparent; text-align: left; ">Luke Fowler (with Toshiya Tsunoda and John Haynes)</a></p><p style="color: rgb(66, 66, 66); font-family: Verdana, Tahoma, sans-serif; font-size: 12px; margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; "><br /></p></div></div>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com7tag:blogger.com,1999:blog-580883454637056117.post-19149425381232949262012-01-01T22:54:00.015+09:002012-01-01T23:20:40.287+09:00Everything goes worse but a Happy New Year.<div><br /><img src="http://1.bp.blogspot.com/-W1KY5JpIH7U/TwBrRSfl-lI/AAAAAAAAAE0/qBjm7TyhfGA/s400/o0480067111451779595.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5692667873762605650" style="float: left; margin-top: 0px; margin-right: 10px; margin-bottom: 10px; margin-left: 0px; cursor: pointer; width: 286px; height: 400px; " /><img src="http://3.bp.blogspot.com/-it_s7dsErkY/TwBrRluWVYI/AAAAAAAAAFc/rnA_EvBs3-c/s400/20110507090013.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5692667878924768642" style="float: left; margin-top: 0px; margin-right: 10px; margin-bottom: 10px; margin-left: 0px; cursor: pointer; width: 225px; height: 400px; " /><br /></div><div><br /><img src="http://1.bp.blogspot.com/-K0p9QqrWTos/TwBrRdGVj_I/AAAAAAAAAFI/OfitmPYA7Mo/s400/b8ec4304-s.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5692667876609462258" style="float: left; margin-top: 0px; margin-right: 10px; margin-bottom: 10px; margin-left: 0px; cursor: pointer; width: 400px; height: 300px; " /><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/-wtkqqzxaoEo/TwBrRVgRCWI/AAAAAAAAAE8/c_vmk3pn0eY/s400/o0480036011451785601.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5692667874570733922" /></div>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-62946264416547339482012-01-01T22:43:00.003+09:002012-01-01T23:01:57.650+09:00TACET Experimental Music Review<a href="http://2.bp.blogspot.com/-FhbYJtwcjZQ/TwBjYuCtleI/AAAAAAAAAD4/X15HVUOSmyI/s1600/tumblr_lsy3v4GgZi1r4d8dbo1_250.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 227px; height: 326px;" src="http://2.bp.blogspot.com/-FhbYJtwcjZQ/TwBjYuCtleI/AAAAAAAAAD4/X15HVUOSmyI/s400/tumblr_lsy3v4GgZi1r4d8dbo1_250.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5692659205323724258" /></a>My essay "Field Recording and Experimental Music Scene"<div>Same one on Erstwords Blog.</div><div><br /></div><div>Radu Malfatti, Mattin, Jerome Noetinger, Michael Pisaro...etc...<br /><div><a href="http://www.tacet.eu/">http://www.tacet.eu/</a> </div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div></div>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-85294864520918996332011-09-14T22:31:00.004+09:002011-12-03T23:24:08.233+09:00SIMPLE INTERACTIONS. SOUND ART FROM JAPAN<div><span class="Apple-style-span" style="color: rgb(68, 68, 68); font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; background-color: rgb(255, 255, 255); "><h3 class="current" style="margin-top: 0px; margin-right: 0px; margin-bottom: 5px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 20px; font-weight: bold; font-family: Helvetica, Arial, sans-serif; color: rgb(0, 0, 0); text-decoration: none; text-transform: uppercase; letter-spacing: 5px; "><strong style="color: rgb(68, 68, 68); font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; letter-spacing: normal; text-transform: none; font-weight: bold; ">24/09/2011 - 18/12/2011</strong></h3></span></div><div><span class="Apple-style-span" style="color: rgb(68, 68, 68); font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; background-color: rgb(255, 255, 255); "><strong style="font-style: normal; font-weight: bold; "><br /></strong></span></div><div><span class="Apple-style-span" style="color: rgb(68, 68, 68); font-family: Verdana, Arial, Helvetica, sans-serif; background-color: rgb(255, 255, 255); "><p style="font-size: 12px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "><span><strong style="font-style: normal; font-weight: bold; ">Sound art is a blossoming art form in Denmark, and the influence of the Japanese sound art scene is significant. On the whole, sound is a global target area, where Japan has asserted itself strongly both in art, design and industry. Therefore, the Museum of Contemporary Art has invited to our country a group of Japanese sound artists to contribute to the exhibition Simple Interactions. Sound Art from Japan, which will be the largest overall presentation in Denmark of sound art from Japan up to now.</strong></span></p><br /><p style="font-size: 12px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; ">The exhibition Simple Interactions. Sound Art from Japan presents works by 9 Japanese artists and artists groups. The exhibition mixes installations, performances and documentations, all of which examine how simple interactions can create complex systems and patterns. </p><br /><p style="font-size: 12px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; ">Works and performances by the following artists: </p><br /><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "><span class="Apple-style-span" style="font-size: 12px;">Yuji DOGANE - Yukio FUJIMOTO - Atsuhiro ITO - Soichiro MIHARA + Hiroko MUGIBAYASHI + Kazuki SAITA - Atsushi NISHIJIMA - Jio SHIMIZU - </span><span class="Apple-style-span">Toshiya TSUNODA</span><span class="Apple-style-span" style="font-size: 12px;"> - Tetsuya UMEDA - Miki YUI</span></p><br /><p style="font-size: 12px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "><span>The past decade has been characterized by a rise of sound art as an artistic discipline that is about to establish its own traditions within the framework of contemporary art. Japanese artists like Ryoji Ikeda, Yukio Fujimoto, Akio Suzuki, Omoto Yoshihide, Merzbow and Ryuichi Sakamoto have been essential for the development of this artistic discipline. But where is the Japanese sound art today? The purpose of this exhibition is to present a Danish audience for an updated picture of the lively Japanese sound art scene.</span></p><br /><p style="font-size: 12px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; ">The sound art discipline received strong international exposure with exhibitions like <em style="font-style: italic; ">Sound Art – Sound as Media</em> at the NTT ICC in Tokyo 2000,<em style="font-style: italic; "> Sonic Boom – The Art of Sound</em> at the Hayward Gallery in London 2000 and <em style="font-style: italic; ">Sounding Spaces – 9 Sound Installations</em> at the NTT ICC in Tokyo 2003. Also at the Museum of Contemporary Art there has been a special focus on sound art over the years, including the exhibition series SoundImages 1991-2004, where two Japanese artists, Akio Suzuki and Junko Wada have been represented. But there have not been previous group exhibitions with Japanese sound artists in Danmark. </p></span><a href="http://samtidskunst.dk/en/view/objekt/?tabel=udstillinger&id=267">http://samtidskunst.dk/en/view/objekt/?tabel=udstillinger&id=267</a></div><div><span class="Apple-style-span"><b>Museet For Samtids Kunst</b></span></div><div><span class="Apple-style-span" style="color: rgb(68, 68, 68); font-size: 12px; line-height: 18px; background-color: rgb(255, 255, 255); "><span class="Apple-style-span"><br /></span></span></div><div><span class="Apple-style-span" style="color: rgb(68, 68, 68); line-height: 18px; background-color: rgb(255, 255, 255); "><span class="Apple-style-span"><b>Museum of Contemporary Art</b></span></span></div><span class="Apple-style-span" style="color: rgb(68, 68, 68); font-size: 12px; line-height: 18px; background-color: rgb(255, 255, 255); "><span class="Apple-style-span">Stændertorvet 3D<br />4000 Roskilde<br /></span></span><span class="Apple-style-span" style="color: rgb(68, 68, 68); font-size: 12px; line-height: 18px; background-color: rgb(255, 255, 255); "><span class="Apple-style-span">Denmark</span></span><div><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: 12px; line-height: 18px;"><br /></span></span></div>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-9813912732017059332011-07-09T01:00:00.003+09:002011-07-09T01:24:23.279+09:00"Low Frequencies Observed at Maguchi Bay" Installation<div>03.07.11 Installation und Konzert in der Säulenhalle</div><div>18 Uhr Klang in Sicht</div><div>Toshiya Tsunoda</div><div>Low Frequencies Observed at Maguchi Bay (2005)</div><a href="http://1.bp.blogspot.com/-ctjQU4n_LMQ/Thcr62yoxkI/AAAAAAAAADw/70j5b7T_1AY/s1600/030711.low%2Bfreq2.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://1.bp.blogspot.com/-ctjQU4n_LMQ/Thcr62yoxkI/AAAAAAAAADw/70j5b7T_1AY/s400/030711.low%2Bfreq2.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5627014549563033154" /></a><br /><div><br /></div><a href="http://2.bp.blogspot.com/-YaxBLMR_F9g/Thcrvo_ia-I/AAAAAAAAADo/r20yX0XA4hI/s1600/030711.low%2Bfreq1.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://2.bp.blogspot.com/-YaxBLMR_F9g/Thcrvo_ia-I/AAAAAAAAADo/r20yX0XA4hI/s400/030711.low%2Bfreq1.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5627014356880485346" /></a>Säulenhalle Landhaus Solothurn<br /><div><br /></div><div><br /></div>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-51684792591513546442011-05-04T12:04:00.012+09:002011-05-08T00:02:09.444+09:00SUBSTANTIALS#04 CCA Kitakyusyu<a href="http://1.bp.blogspot.com/-WxglXZsXQgU/TcDC9DH-2CI/AAAAAAAAADc/-m4hHdAGgDs/s1600/subs04_cvr_cd.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 284px;" src="http://1.bp.blogspot.com/-WxglXZsXQgU/TcDC9DH-2CI/AAAAAAAAADc/-m4hHdAGgDs/s400/subs04_cvr_cd.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5602692290515490850" /></a><div style="text-align: -webkit-auto;"><span class="Apple-style-span"><br /></span></div><div><span class="Apple-style-span" style="color: rgb(85, 85, 85); line-height: 20px; font-size: medium; "><a href="http://btgjapan.org/english/publication/index.shtml">http://btgjapan.org/english/publication/index.shtml</a></span></div><div><span class="Apple-style-span" style="color: rgb(85, 85, 85); line-height: 20px; font-size: medium; ">ISBN 978-4-901387-73-6<br />March 20, 2011<br />pp. 160 with CD<br /><br />Marcus Schmickler<br />Toshiya Tsunoda<br />Jim O'Rourke<br />Akio Suzuki<br />Keith Rowe</span></div><div><span class="Apple-style-span"><br /></span></div>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-22097318871791086472011-01-02T22:46:00.007+09:002011-02-26T12:35:46.861+09:00THE WIRE January2011CrossPlatform Full feature on line<span style="color:#ff0000;"><span style="color:#000000;"><strong>Cross Platform</strong>:<strong>Japanese Sound Artist Toshiya Tsunoda</strong><br />interview/article by </span><strong><span style="color:#000000;">Will Montgomery</span></strong></span><br /><strong><a href="http://www.thewire.co.uk/articles/5603/">http://www.thewire.co.uk/articles/5603/</a></strong>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-88115408088846310342011-01-02T22:31:00.005+09:002011-01-18T17:45:08.111+09:00New CD from Skiti Manfred Werder "stück 1998 seiten 624-626"<a href="http://4.bp.blogspot.com/_7MsvkyD0bYE/TSB_E11qcqI/AAAAAAAAADI/M9_JG89LSTg/s1600/stuck075.jpg"><img id="BLOGGER_PHOTO_ID_5557581661323555490" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_7MsvkyD0bYE/TSB_E11qcqI/AAAAAAAAADI/M9_JG89LSTg/s320/stuck075.jpg" border="0" /></a><br /><br /><div><strong>Manfred Werder stück 1998 seiten 624-626</strong></div>with miniature score: seiten 624,625 and 626<br /><div><strong></strong></div><div>Performers: Jürg Frey (clarinet) Stefan Thut (cello) Taku Unami (laptop)<br />Recorded in Solothurn, Switzerland March 21, 2010</div><div>Recording and Mastering by Taku Unami</div><div>Skiti (sk06) 27th Dec 2010</div><br /><a href="http://www.erstwhilerecords.com/distro.html">http://www.erstwhilerecords.com/distro.html</a><br /><div></div>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com1tag:blogger.com,1999:blog-580883454637056117.post-32119538726597421772010-12-17T20:29:00.010+09:002011-05-04T12:15:32.116+09:00Ridges On The Horizontal Plane<a href="http://2.bp.blogspot.com/_7MsvkyD0bYE/TSB948-A22I/AAAAAAAAADA/m5aa6hhxLg0/s1600/geisela074.jpg"><img id="BLOGGER_PHOTO_ID_5557580357567568738" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 227px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_7MsvkyD0bYE/TSB948-A22I/AAAAAAAAADA/m5aa6hhxLg0/s320/geisela074.jpg" border="0" /></a><br /><div><strong>LukeFowler & Toshiya Tsunoda<br /></strong>Installation "Ridges On The Horizontal Plane"<br />January 22 - March 5, 2011<br /><strong>Galerie Gisela Capitain</strong> Cologne Germany </div><span style="font-size:0;"></span><br /><div><a href="http://www.galerie-capitain.com/">http://www.galerie-capitain.com/</a></div><br /><div></div><img id="BLOGGER_PHOTO_ID_5551613411833573474" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 332px; CURSOR: hand; HEIGHT: 249px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_7MsvkyD0bYE/TQtK-_6icGI/AAAAAAAAACc/FTTmZoyBX0w/s320/capitain_drawing_triming2.jpg" border="0" />tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-84597771667159613752010-10-16T20:32:00.009+09:002010-10-16T20:51:00.539+09:00New CD release from Skiti 2010 oct<span style="font-size:130%;"><strong>Manabu Suzuki</strong> live installation at Loop-Line recorded by toshiya tsunoda</span><br /><span style="font-size:130%;">Skiti (sk05)</span><br /><a href="http://1.bp.blogspot.com/_7MsvkyD0bYE/TLmQV5UOP6I/AAAAAAAAACU/UDJxObMTfnU/s1600/suzukitsunoda.jpg"><img id="BLOGGER_PHOTO_ID_5528608723411287970" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 222px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_7MsvkyD0bYE/TLmQV5UOP6I/AAAAAAAAACU/UDJxObMTfnU/s320/suzukitsunoda.jpg" border="0" /></a> USW56,USW57,USW59,USW61 and USW113,these five hand-made electronics hanged from a ceiling have a ultrasonic wave transmitter, a reciever and an amplifier. Each frequency of the ultrasonic wave is about 40KHz but slightly different. And when each instrument swings, each frequency changes a little caused by the Doppler effect. On thier instruments we can hear beat signals between transmitted and received ultrasonic waves changed in frequency. (manabu suzuki)Where does art work appear? How do people perceive a piece of art, and how is that experience grasped? Physically, it's possible to say that the piece is in an exhibited space. However, when the essence of the piece is a spatial experience, it would be imperfect to speak only about the appearance of the work that is placed in a certain space. I came to want to add my experience of listening to Suzuki's work to this piece as my own touch. So, I decided to use a pair of micro-mikes. During the recording, one microphone was set in the center of the exhibited space, and the other was placed inside of my left ear. I closed my ear that has the microphone within it by my hand after the condition of the space caused by the piece and the swinging of the units became nearly stable (take 1) . I consider that my own condition has been added to the piece by this action. (Toshiya Tsunoda / Translation: Makoto Oshiro)<br /><br /><br /><br /><a href="http://2.bp.blogspot.com/_7MsvkyD0bYE/TLmN4zYr51I/AAAAAAAAACE/t_OAjLkGD2M/s1600/suzukitsunoda.jpg"></a>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-20916556145785824192010-09-20T17:16:00.017+09:002011-05-04T12:16:18.303+09:00<span style="font-size:180%;"><strong>snared 60 cuts</strong> </span><br /><span style="font-size:130%;">seijiro murayama & toshiya tsunoda<br />Skiti (sk 04)</span><strong><span style="font-size:130%;"> </span></strong><br /><br /><p><img id="BLOGGER_PHOTO_ID_5528607745287925458" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 222px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_7MsvkyD0bYE/TLmPc9hcLtI/AAAAAAAAACM/_ou3XNOxxJw/s320/murayamatsunoda.jpg" border="0" />One clear day in spring, the two of us, Seijiro Murayama and Toshiya Tsunoda, went out to a park on the outskirts of the city of Yokohama. It was just like a picnic, but what we carried with us was a snare drum, not a lunch basket. We settled in a wide open space in the park and took a look through the inside of the snare drum, just for fun, to see how the world looked in that peaceful spring sunlight. That day Seijiro didn't play his instrument. We placed a pair of microphone inside the snare drum and tried to catch its sound under various conditions. He loosened the drumhead, took off the rim, put a heavy stone on it, hung it from a tree branch, and even cut the drum skin with a knife …After two days of this strange picnic, we had gathered a total of 80 sound recordings. None of them includes a familiar snare drum sound. In fact, the sounds of these recordings are not generated with an ordinary 'musical' instrument, but result from the same instrument regarded merely as an object and perhaps also the act of breaking down the instrument into its physical pieces. Hopefully, still, another of our actions (the act of recording) reminded us of its nature as a musical instrument. Because of our general indifference to audio-technical details, we didn't take notes on the individual recordings. In our point of view, the differences among the takes are not important for the sake of the sound itself, or to the purpose of discerning them. On the contrary, the differences are only significant to the differences themselves. When you listen to these sounds coming to you in the stream of similarity, you'll find yourself listening to the threshold of yourself. It was just these differences that amazed us. What we offer here is not so-called 'beautiful' sounds. As for us, it is something more, chaotic, primal, and abundant.<span style="color:#ff6600;"><a href="http://3.bp.blogspot.com/_7MsvkyD0bYE/TJca7OXZf1I/AAAAAAAAAB0/36B3AymB5Bk/s1600/skitiLOGO.jpg"></a><a href="http://3.bp.blogspot.com/_7MsvkyD0bYE/TJca7OXZf1I/AAAAAAAAAB0/36B3AymB5Bk/s1600/skitiLOGO.jpg"></a></span> <a href="http://3.bp.blogspot.com/_7MsvkyD0bYE/TJca7OXZf1I/AAAAAAAAAB0/36B3AymB5Bk/s1600/skitiLOGO.jpg"><img id="BLOGGER_PHOTO_ID_5518909473136672594" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 41px; CURSOR: hand; HEIGHT: 56px" alt="" src="http://3.bp.blogspot.com/_7MsvkyD0bYE/TJca7OXZf1I/AAAAAAAAAB0/36B3AymB5Bk/s200/skitiLOGO.jpg" border="0" /></a><a href="http://3.bp.blogspot.com/_7MsvkyD0bYE/TJca7OXZf1I/AAAAAAAAAB0/36B3AymB5Bk/s1600/skitiLOGO.jpg"></a><a href="http://3.bp.blogspot.com/_7MsvkyD0bYE/TJca7OXZf1I/AAAAAAAAAB0/36B3AymB5Bk/s1600/skitiLOGO.jpg"></a><br /><br /><span style="color:#ff6600;"></span><br /></p><p><span class="Apple-style-span" ><br /></span></p>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com1tag:blogger.com,1999:blog-580883454637056117.post-23289782682094379712009-11-22T01:27:00.033+09:002010-09-20T17:44:41.486+09:00CD Michael Graeve/Toshiya Tsunoda<p></p><p></p><p>For the purposes of this release, we adopted some word combinations like 'division and unity' or ‘whole and parts’ as initial themes, and decided to each record a form of continuous movement. MG picked up the sounds in a room full of old-fashioned domestic record players playing themselves – microgroove styli rendering their own vibrations and movements audible. TT picked up the knocking of water against a hydrophone sunk in the brook. The score for a work was derived from a certain colour-field painting of MG's. The recorded materials, as well as sections of low frequencies that deceed our range of audibility, were subsequently divided up according to this score. In this way we created a 30-minute work, which we then displayed twice, one after another, so that the total duration of this work is 60 minutes. This work was divided into nine by inserting track ID numbers. When you listen to this release, you will find one appearance of the work, or two appearances of one work, or nine appearances of works that are distinct yet continuous, or 26 appearances of distinct sections of the work, all of which are works. At any rate, you will find a different work whenever you change your aspect of observation and recognition.<br /><br />released by <strong>megalomania,micromania/edition.t</strong> (mm/e. 01) </p>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-35666113177180441602009-10-05T21:14:00.022+09:002011-12-03T23:14:32.922+09:00Work with Luke Fowler<div><span class="Apple-style-span" style="color: rgb(68, 68, 68); line-height: 18px; background-color: rgb(255, 255, 255); "><span class="Apple-style-span"><b>Ridges On The Horizontal Plane</b></span></span><span class="Apple-style-span" style="color: rgb(68, 68, 68); font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px; background-color: rgb(255, 255, 255); ">(2011)</span><br /><span class="Apple-style-span"><span style="color: rgb(68, 68, 68); line-height: 18px; text-align: -webkit-auto; background-color: rgb(255, 255, 255); "><span class="Apple-style-span">Installation at Galerie Gisela Capitain</span></span><strong style="color: rgb(68, 68, 68); font-size: 13px; line-height: 18px; text-align: -webkit-auto; background-color: rgb(255, 255, 255); ">,</strong><span class="Apple-style-span" style="color: rgb(68, 68, 68); font-size: 13px; line-height: 18px; text-align: -webkit-auto; background-color: rgb(255, 255, 255); "> Cologne Germany</span></span></div><strong><div><strong><br /></strong></div>Grammer of Listening</strong> <div><span class="Apple-style-span">16mm film (2009)<br /></span><br /><strong>Familiar Readings</strong> </div><div><span class="Apple-style-span">CD</span> <span class="Apple-style-span" style="font-size: small; ">edition.t (2009)</span><div><br /><strong>Tenement Films</strong> </div><div><span class="Apple-style-span">Channel 4, Film London(2009)</span><br /><strong></strong><br /><strong>Composition for F</strong><strong>l</strong><strong>u</strong><strong>tter Screen</strong></div><div><div><span class="Apple-style-span">Installation at Yokohama Trienale 2008, Serpentine Gallery(2009)<br /></span><strong></strong><br /><strong></strong><br /><strong></strong><br /><strong><img id="BLOGGER_PHOTO_ID_5407310534295038978" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 196px; CURSOR: hand; HEIGHT: 304px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_7MsvkyD0bYE/SwqgSCLiLAI/AAAAAAAAABk/VX8WzyFDvlE/s400/inv02.jpg" border="0" /></strong><br />LUKE FOWLER "Grammar of Listening (parts 1-3)"<br />A film In collaboration with Eric La Casa,Lee Patterson,Toshiya Tsunoda</div></div></div>tsunodahttp://www.blogger.com/profile/00618788733181401330noreply@blogger.com0tag:blogger.com,1999:blog-580883454637056117.post-11133310301340813952009-01-13T22:46:00.027+09:002014-03-09T02:08:52.129+09:00<strong><span style="color: black; font-size: 180%;"><span style="color: #ff6600;">TOSHIYA TSUNODA Curriculum Vitae</span></span></strong><br />
1964 Born in Kanagawa, Japan. Lives and works in Yokohama<br />
Received MFA from Tokyo National University of Fine Arts and Music<br />
Running label for experimental art work <strong>Wrk</strong> with Atsushi Tominaga, Hiroyuki Iida, Jio Shimizu, m/s (1994-2006)<br />
Published <strong>Free Paper SANTA</strong> with Taku Sugimoto,Mitsuhiro Yoshimura(2005-2008)<br />
Running label for experimetal composition '<strong>Skiti'</strong> and private label '<strong>edition.t</strong>'<br />
<span style="color: #666666; font-size: 78%;"></span><br />
<span style="color: #666666; font-size: 78%;">contact :</span> <span style="color: #cccccc;"></span><span style="color: #cccccc;">t s u n o d a (a t ) h 4 (d o t) n e (d o t) j p</span><br />
<span style="color: #999999; font-size: 130%;">Activity(selected)</span><br />
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<em><span style="color: #009900;">Installation </span></em><br />
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2013<br />
<b>Leader As Gutter</b> Luke Fowler & Toshiya Tsunoda<br />
Taka Ishii Gallry Tokyo<br />
<b>Soundings-A Contemporary Score</b><br />
MoMA NYC<br />
2012<br />
<b>KIKOENAIOTO</b><br />
Talion Gallery<br />
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<span class="Apple-style-span" style="line-height: normal;">2011</span></div>
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<b style="line-height: normal; text-align: -webkit-auto;">Imprint/Field/ Surface</b></div>
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<span class="Apple-style-span" style="line-height: normal;"><span class="Apple-style-span"><b>Luke Fowler & Toshiya Tsunoda</b></span></span></div>
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<span class="Apple-style-span" style="line-height: normal;"><span class="Apple-style-span">Bielefelder Kunstverein,Germany</span></span></div>
<div style="line-height: 18px;">
<b><span class="Apple-style-span">SIMPLE INTERACTIONS.SOUND ART FROM JAPAN</span></b></div>
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<div style="color: #444444; line-height: 18px;">
<span style="font-size: 13px;"><span class="Apple-style-span">Museet For Samtids Kunst,Denmark</span></span></div>
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<em style="color: black; font-style: normal; line-height: 16px;"><b>Concert&Installation</b></em></div>
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<span class="Apple-style-span"><em style="font-style: normal; line-height: 16px;"><span class="Apple-style-span">Säulenhalle Landhaus Solothurn</span></em><span class="Apple-style-span" style="color: #222222; line-height: 16px;"> (</span><em style="font-style: normal; line-height: 16px;">CH</em><span class="Apple-style-span" style="color: #222222; line-height: 16px;">)</span></span></div>
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<b style="line-height: 18px;">Luke Fowler & Toshiya Tsunoda</b></div>
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<span class="Apple-style-span"><span style="font-size: 13px;">Galerie Gisela Capitain</span><span class="Apple-style-span" style="font-size: 13px;"> Cologne, Germany</span></span></div>
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<span class="Apple-style-span" style="color: black; font-size: 16px; line-height: normal;">2010</span></div>
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<b style="color: #444444;"><span class="Apple-style-span">Geometric From Seen Recent Sound</span></b></div>
<div style="color: #444444; font-size: 13px; line-height: 18px;">
<span class="Apple-style-span"><span class="Apple-style-span">with</span><span class="Apple-style-span"><b> Michael Graeve</b></span></span></div>
<div style="color: #444444; font-size: 13px; line-height: 18px;">
<span class="Apple-style-span">GKG Bonn, Germany</span></div>
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<span class="Apple-style-span" style="color: black; font-size: 16px; line-height: normal;">2009</span></div>
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<span class="Apple-style-span"><strong>EXTROPIAN</strong><br /><span style="font-size: 85%;">with</span><strong> Michael Graeve</strong><br />Sullivan+Strumpf Fine Art, Sydney<br /><strong>Luke Fowler<span style="font-size: 78%;">(<span style="font-size: 85%;">Composition for Flutter Screen#2</span>)</span></strong> Serpentine gallery<br />2008<br /><strong>21:100:100 One Hundred Sound Works by 100 Artists from 21st Centry</strong><br />Gertrude Contemporary Art Space, Australia<br /><strong>Yokohama Triennale 2008</strong> (<span style="font-size: 78%;"><span style="font-size: 85%;"><strong>Composition for Flutter Screen</strong></span> with</span> <strong>Luke Fowler</strong>)<br />2007<br /><strong>Half Life</strong> Kilmartin Glen, Argyll, Scotland<br /><strong>Gray Water</strong> ( with <strong>Lawrence English</strong>) Institute of Modern Art, Brisbane<br />2005<br /><strong>In Resonance</strong> Bumbershoot Arts Festival, Seattle<br />2004<br /><strong>Sound Art Lab.2004: Field of Wrk </strong>Osaka Red Brick Warehouse<br /><strong>Westspace Gallery</strong>, Melbourne<br /><strong>Observatori 2004</strong> Museo de las Ciencias Principe Fellipe, Valencia<br />2003<br /><strong>From the Standpoint of Occurrence and Concept</strong> OffSite,Tokyo<br />2002<br /><strong>Tangible Sound</strong> Total Museum, Seoul<br />2001<br /><strong>Amplitude of Chance</strong> Kawasaki City Museum<br />2000<br /><strong>Room_for_Listening</strong> CCAC Institute, San Francisco<br /><strong>Beyond Baroque Sound Festival Vol.3</strong> San Francisco<br /><strong>Just About Now</strong> Tent.CBK, Rotterdam<br /><strong>Sound As Media</strong> ICC,Tokyo<br /><br /><em><span style="color: #33cc00;">Performance/Live Installation</span></em></span><br />
at l-e Osaki,Tokyo 2013<br />
<span class="Apple-style-span"><strong>Night@RAM </strong>Rockbund Art Museum Shanghai China 2013</span><br />
<span class="Apple-style-span"><strong>Sealink Gallery </strong>Hangzhou China 2013</span><br />
<span class="Apple-style-span"><strong>Ftarri </strong>with Luke Fowler Tokyo 2013</span><br />
<span class="Apple-style-span"><strong>Liquid Architecture </strong>TramVibration with<strong> </strong>Haco Melbourne 2013</span><br />
<span class="Apple-style-span"><b>Issue Project Room</b> Brooklyn 2013</span><br />
<span class="Apple-style-span"><strong>DISPLACED SOUNDS</strong> at Stuk Arts Centre Leuven, Belgium 28th Mar 2010<br /><strong>DNK Amsterdam </strong>at SMART Project Space Amsterdam,The Netherlands 1st Apr 2010<br />at Bar Ikki, Fukuoka<br />atLoop-Line, Sendagaya,Tokyo<br /><strong>Santa Concert</strong>(with Taku Sugimoto Mitsuhiro Yoshimura), Aoyama Book Center,Shibuya<br /><strong>MONO3</strong> Institute of Modern Art, Brisbane<br /><strong>Outside Concert with Kitsune and Tengu</strong>, Tamagawa River,Tokyo<br />Kid Ailac Art Hall, Meidai-mae<br /><strong>Sound for Museumgoers</strong> Tochigi Prefactual Museum,Utsunomiya</span><br />
<em><span style="color: #33cc00;"><br /></span></em>
<em><span style="color: #33cc00;">Video work</span></em><br />
<br />
About My Field Recording <b>Q-02</b> Field Fest(Brussel) 2011<br />
Toshiya Tsunoda+Takuya Sakamoto "<strong>Loop-Line movie theater</strong>" <a href="https://www.blogger.com/blogger.g?blogID=580883454637056117" name="1156375120088944447"></a><br />
About My Field Recording "<b>Field Fest</b>" Q-O2, Brussels<br />
<em><span style="color: #33cc00;"><br /></span></em>
<em><span style="color: #33cc00;">Lecture/Workshop</span></em><br />
Night@RAM<strong> </strong> Shanghai<br />
Sealink Gallery<b> </b>Hangzhou<br />
Ftarri,Tokyo<br />
l-e , Osaki,Tokyo</div>
<div>
Loop-Line,Sendagaya,TokyoCCA Kikakyusyu, Fukuoka<br />
RMIT university, Melbourne<br />
Bridge, Osaka<br />
View Masters, Osaka<br />
Kawasaki City Museum<br />
CCAC Institute, San Francisco<br />
Tama Art University, Tokyo<br />
<br />
<em><span style="color: #33cc00;">Recording Work</span></em><br />
<em></em><br />
<span style="font-size: 85%;"><span style="color: #33cc00;"><em>CD </em></span></span><br />
<span style="font-size: 85%;">Miyagawa Bay Sketches (private release)</span><br />
<span style="font-size: 85%;">TramVibration with haco (Skiti)</span><br />
<span style="font-size: 85%;">O Kokos Tis Anixis(edtion,t)</span><br />
<span style="font-size: 85%;">The Temple Recording(edition.t)</span><br />
<span style="font-size: 85%;">Crosshatches with Michael Pisaro(Erstwhile Records)</span><span style="font-size: 100%;"><span style="color: black;">Manabu Suzuki Installation Recorded by Toshiya Tsunoda(skiti)</span></span></div>
<div>
<span style="font-size: 100%;"><span style="color: black;">Seijiro Murayama&Toshiya Tsunoda(skiti)</span></span></div>
<div>
<span style="font-size: 100%;"><span style="color: black;">Michael Graeve Toshiya Tsunoda(megalomania,micromania/edition.t)</span><br />Famlial Readings /with Luke Fowler(edition.t)<br />The Argyll Recording (edition.t)<br />Low Frequency observed at Maguchi Bay (hibari music)<br />Scenery of Dacalcomania (Naturestrip)<br />Ridge of Undulation (Hapna)<br />Pieces of Air Lucky Kitchen(Honorary Mention from Ars Electronica 2003)<br />O Respirar da Paisegem (SIRR.ecording)<br />Extract from Field Recording Archive#3 (Intransitive/Fringes Recordings)<br />Extract from Field Recirding Archive#2 (Hapna )<br />Extract from Field Recirding Archive#1 (Wrk)<br /><em></em></span><br />
<span style="font-size: 85%;"><em><span style="color: #33cc00;">LP</span></em></span><em><br /></em>Vibrational Movements of Metal Plates(Ahora )<br />
Cleavage of Acoustics_Split LP with Justin Bennett( Mixer)<br />
<br />
<span style="color: #33cc00;"><em>Compilation CD </em><br /><em><span style="font-size: 78%;"></span></em></span><em><span style="color: #33cc00; font-size: 78%;">release from…</span></em><br />
Wrk<br />
Hibari Music<br />
Touch<br />
Intransitive recordings<br />
Sirr.<br />
And/OAR<br />
Korm Plastics<br />
Room 40<br />
Amorfon<br />
Staubgold<br />
Bremsstrahlung Recordings<br />
V2 archief<br />
Selektion<br />
<br />
<em><span style="color: #33cc00;">Article/Essay </span></em><br />
<br />
8 Metaphors LUX (ISBN 978-0-9567041-3-0)</div>
<div>
<span style="color: #33cc00;"><span style="color: black;">SUBSTANTIALS#4 CCA Kitakyusyu<span class="Apple-style-span">(ISBN978-4-901387-73-6)</span><br />Erstwords "Field Recording and Experimental Music Scene"</span></span><br />
<span style="color: #33cc00;"><a href="http://erstwords.blogspot.com/2009/07/field-recording-and-experimental-music.html">http://erstwords.blogspot.com/2009/07/field-recording-and-experimental-music.html</a></span><br />
<span style="color: #993399;"></span>UOVO N.14/2007<span class="Apple-style-span">(ISSN1876-0551)</span><br />
Extract:Portarit of Sound artists, Nonviualobjects<br />
Free Paper Santa vol.1-10<br />
Improvised Music from Japan 2005 issue<br />
Site of Sound:of Architecuture & The Ear, Errant Bodies Press</div>
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